Scene Detail

"You wouldn't think an elementary school could burn so well."


From: the Dandelion Snow cycle
2 Characters
Gender Age Character Name
Male 30's DANA
Male 30's ASH
 
Setup:
Two ex-lovers reunite in the charred ruins of their old elementary school, burned to the ground by a freak lightning strike.

The full scripts of the plays in "The Dandelion Snow Cycle" are available for purchase as part of "Short Plays, Volume 2" (in hard copy or download form) at http://www.lulu.com/content/1402397.

Visit http://stores.lulu.com/matthewaeverett for this and other plays by Matthew A. Everett.
 

Scene

copyright 1998 by Matthew A. Everett


SEQUENCE ONE - DANDELION SNOW


Moonlight.


ASH, a man in his early thirties, stands in the charred remains of an elementary school building.


White dandelion seeds float by.


Another man in his early thirties, DANA, appears, waving the seeds away that float close to him - walking over the blackened debris to where ASH stands.


ASH senses, but doesn't turn to, DANA.


ASH

Moon's low tonight.

DANA

Well, this pooch is officially screwed.

ASH

Bolt of lightning. This is all that's left.

DANA

You wouldn't think an elementary school could burn so well.

ASH

Burn so well?

DANA

So good?

ASH

It's just an odd way to -- I mean, burning's not a good thing.

DANA

Not normally.

ASH

In this case. Not good. Not well.

DANA

Burn so brightly?

ASH

So long?

DANA

So hot.

ASH

So completely.

DANA

(suddenly formal)

I'm sorry, you are -- ?

DANA holds out a hand, inquiring.


ASH grins. One of their routines has begun.


ASH

Ash.

DANA

Ass?

ASH

I don't have a lisp. A-S-H. Ash. As in soot.

DANA

As in Wednesday.

ASH

And you are -- ?

DANA

Get over here, you doof.

DANA pulls ASH into an embrace.


They hold each other a moment. They get to a point where most people would kiss. They look at one another, a little awkward.


ASH pats DANA on the shoulders and breaks away to wander among the rubble. DANA follows.


DANA (continued)

Good to have you back.

ASH

Just a visit.

DANA

Still --

ASH

Thank Julian for me.

DANA

For what?

ASH

For letting you out for the night.

DANA

I'm not on a leash.

ASH

Still, old boyfriends, old haunts --

DANA

Julian's --

ASH

-- secure?

DANA

-- understanding. He knows you're --

(doesn't finish)


ASH

I'm -- ?

DANA

-- important to me.

ASH

Oh.

DANA

Besides, you don't pass through town that much anymore.

ASH

Sorry I wasn't back in town a week ago -- missed the fireworks.

DANA

Could've emptied the shelves of the supermarket. Popped all the corn, toasted all the marshmallows, roasted all the weenies and still had plenty of fire to spare.
Still can't believe how fast it all --

ASH

Memories are combustible. Get too many in one place --

DANA

Drew quite a crowd.

ASH

The ultimate in morbid curiosity. Who could resist slowing down to look when they see a five-car pile-up of their entire childhood?

Dandelion seeds float by.
DANA waves them away.


DANA

Where do all these damn things come from?

ASH

Just dandelion seeds, Dana. No harm, no foul.

DANA

I just hate weeds.

ASH

A dandelion is not a weed. It's a flower.

DANA

Oh yeah, then why are we always pulling them out of the ground?

ASH

People don't like what they can't control.

DANA

They're weeds.

ASH

Calling a dandelion a weed is like saying the heart is a muscle.

DANA

It is.

ASH

Just a muscle.

Pause. Then DANA smiles.


DANA

You're standing in the middle of kindergarten.

ASH

How can you tell?

DANA

It's the east end of the -- See that burned jag in the outline on the ground over there?

ASH

Vaguely.

DANA

OK --

Standing behind and a little to one side of ASH, DANA takes his friend's shoulders and turns him to face straight out. DANA leans in, almost resting his chin on ASH's shoulder, looking out in the same direction, pointing.


DANA (continued)

Tell me you forget that view.

ASH

The slide.

DANA

The seesaws.

ASH

The monkey bars.

DANA

Recess taunting us just outside the window.

ASH looks at the charred outline surrounding him, recognizing the shape.


ASH

Standing right in the middle of Mrs. Wadsworth's classroom. Son of a bitch.

DANA

Bet you still have that glass piggy bank she gave us.

ASH

Those little evergreen trees she handed out to everyone --

ASH (continued) and DANA

Arbor Day.

ASH (continued)

Yours still out by the side of your folks' garage?

DANA

(shaking his head)

Crowded the walkway. Dad had to transplant it out back. Yours?

ASH

(shaking his head)

Some other family lives there now. They landscaped the place, put in a pool. It's gone.

DANA

You remember throwing up on her shoes when she tried to get you to go to the bathroom by yourself?

ASH

I remember you telling everyone. God, I hated you.

DANA

You got over it.

ASH

Yeah.

An awkward moment as they become aware of how physically close they are.


DANA releases ASH's shoulders, withdraws a step away.


ASH (continued)

The letter "W".

DANA

First, the letter "V".

DANA holds up two fingers in a "V" sign. ASH does the same.


ASH

Another "V" comes along.

DANA makes his "V" "speak".


DANA

"I like you so much, I'm going to double you."

DANA and ASH bring their "V's" together to form a "W," smiling.


ASH

Damn, she was a goofy old bird sometimes.

DANA

But you learned your alphabet.

They bump their "V's" against each other. Slowly, their fingers intertwine.


DANA (continued)

You ever gonna' settle down in one place?

ASH

I settle.

DANA

For more than a year at a time.

ASH

I thought you liked me being the "most unsettling person" you know.

DANA

Gets old. I worry about you.

ASH

Don't.

DANA

Not possible.

ASH

You don't have to. You're not obligated.

DANA

That's not why.

ASH

I'm just --

DANA

What?

ASH

Waiting.

DANA

For -- ?

ASH

Til I find something worth settling for -- I mean, settling down for. Something.

DANA

Someone?

ASH

Stranger things have happened.

They stand, fingers twined.


DANA

You remember why we broke up?

ASH

Right now, I haven't a clue.

DANA

Me neither.

ASH

Probably something stupid I did or said.

DANA

Just as likely I --

ASH

No. Not likely. You --

DANA

What?

ASH

-- appreciate things.

ASH looks around them, pulls his hand away.


ASH (continued)

God, will you look at this place.

DANA

They'll build a new --

ASH

But it won't be --

DANA

Well, no.

ASH

-- this place. This place is gone.
I feel like my life's eroding. Bits and pieces just drifting off into the dark. The places we used to hang out. The house I grew up in. My folks. I mean, it's getting so I really am -- unsettled. All the time.

DANA

So come home.

ASH

Point me there, something familiar, and I'll think about it.

DANA

You don't have to go anywhere.

DANA turns ASH to face him.


DANA (continued)

Just stand still. Stay.

ASH

Easier said --

(doesn't finish)


DANA takes ASH's hand.


DANA

I love you.

ASH

That's nice.

DANA

I mean it.

ASH

I know.
Doesn't make it any easier. In fact, --

(doesn't finish)


Pause.


DANA

Yeah.

ASH

Are you happy?

DANA can't suppress a smile.


DANA

Yeah.

ASH

Then so am I.

DANA

I'm sorry.

ASH

No need. Really.

ASH squeezes DANA's hand.


ASH (continued)

You should go.

ASH tries to let go of DANA's hand. DANA won't let him.


ASH (continued)

Julian probably hates waiting for you to come home. I know I did.

DANA

Dinner Saturday. The three of us. You promised.

ASH

I'll be there.

DANA

Swear.

ASH

When have you ever known me to turn down a free meal?

DANA

Julian's a great cook. I'm getting better.

ASH

Go on. Get outta' here.

DANA

You coming?

ASH

So I walk you to your car. And we talk. Then you give me a lift to my car. And we sit and talk some more. Let's save the protracted goodbyes for when I really leave.

DANA

Which is -- ?

ASH

Can I get back to you on that?

DANA

(smiling)

Take your time.

ASH

Scoot.

DANA goes.


ASH looks around the debris. He holds up both of his hands, each with the "V" sign, makes one of them "speak".


ASH (continued)

"I like you so much -- "

(doesn't finish)


Another swarm of dandelion seeds float by.


ASH catches one in his hand. He smiles, looks up.


ASH (continued)

Moon's low tonight.

ASH opens his hand, blows on the seed.


It floats off into the night.


The moon winks out.





copyright 1998 by Matthew A. Everett

The full scripts of the plays in "The Dandelion Snow Cycle" are available for purchase as part of "Short Plays, Volume 2" (in hard copy or download form) at http://www.lulu.com/content/1402397.

Visit http://stores.lulu.com/matthewaeverett for this and other plays by Matthew A. Everett.

 

� Matthew A Everett
www.matthewaeverett.com